If you’ve followed me and read my newsletters over the past few years, then you know I’ve been going through some stuff. I just turned 51, so I’m at that age where there’s more behind me than ahead. Being what you might call a pensive guy, I’ve done a lot of thinking. I’ll be the first to say you can’t solve an emotional problem through a cognitive process, but damned if I haven’t tried. I journal a lot because writing things out is how I focus my thoughts. That’s private, of course, but sometimes I hit upon something that I bold, highlight, circle, and draw arrows to because I think it’s that important.
I want to be authentic with you guys. All I’m trying to do is distill some life lessons into something that’s fun to read even if you’ve already figured out The Thing, whatever it is in your case. If not, maybe it gets you thinking, too.
This month is about narratives.
Can “narratives” and “stories” be used interchangeably? Sure. We also call them by different names like “assumption” and “personal belief.”
What is a story, really?
Without looking at a dictionary definition, and having quite a bit of experience with stories, my own definition would be something like, “A series of related events described by an author or narrator that a) change the lives of a ‘character’ in some significant way, b) convey an idea or lesson, and/or c) create dramatic tension via a conflict which is usually resolved during the course of such events.” I put “character” in quotes because it may be multiple characters, society, or even the reader themselves.
I’m sure the real definition is much different, but this will serve my purpose.
Stories originated as a way for humans to make sense of the world. And, as has always been the case, the good ones have a way of surviving. One day, Og wondered aloud how water could come from the sky. Lak said, “Maybe moisture in the atmosphere condenses around bits of dust and falls back to Earth in a beautiful cycle.”
Bim waved his hairy hand dismissively. “No, no. An invisible man in the clouds is looking down upon us and crying. Probably because Lak’s story was so boring!”
If I’m Og, I’m probably gonna pass on the version with the guy in the clouds. If it gets a good reaction, I’ll tell it to the next caveman, but maybe I’ll embellish it with a tidbit about thunder being his angry roar. Fast-forward a few millennia, and you’ve got The Exorcist or mythology.
The point is that stories don’t really become stories unless they’re told to someone. Sometimes — and probably way more than you realize — that someone is the storyteller himself.
The stories we tell ourselves
Like our ancient ancestors, we, too need stories to help make sense of the world, including and especially the one each of us specifically inhabits. They’re often what comes after the word because. My boss hates me because I called him out in the team meeting. My wife is staying home because she doesn’t like my friends.
We all do this, all the time, to varying degrees. Telling ourselves a story is way easier than getting to the truth. It’s comfortable, and it settles the matter in our minds so we don’t have to think about it anymore.
Some people are wired to tell themselves a nice story. Carol really appreciates me because I always bring her coffee. The dishes didn’t get done because Larry’s been working so hard. I’m both jealous of, and annoyed by, people who tell themselves whatever story will make them feel good about themselves and the world.
Whether the stories you tell yourself are dark and cynical or upbeat and positive, they most likely aren’t based on what you know with certainty to be true. But a big part of you assumes it is because even acknowledging that it may not be puts you in a tough spot. If it’s not true, then you’ve made a lot of assumptions and acted accordingly. You may also have burned a lot of cycles on that story, and it would be hard to admit that any resulting emotional turmoil you experienced was completely unnecessary.
But admit it you must, because …
Stories can lead to blame and resentment
The because in our explanations about life always start with a why. Why did she snap at me? Why is he so into her? This is where the power of a story can become insidious. It basically becomes the lens through which we see related aspects of the world.
Our brains have something called the reticular activating system (RAS). Basically, it helps direct your attention based on your motivation. If your context for personal interactions, for example, is the story that people are untrustworthy, then your RAS will be hyper-aware of signs of untrustworthiness. It’s a bit like confirmation bias. You find what you expect to find, and what you expect to find is based on a story rather than being fully open to the present moment.
I’ve told myself a lot of stories about my partner over the years, and rarely did those stories give her the benefit of the doubt. Over time, they morphed into resentments. I held on to them for an embarrassingly long time, and when the time came, I had to own them. I’d imagine the same is true of someone who convinced themselves of a happy story when the truth was much harder to take.
The secret to overcoming narratives in your life is to ask yourself two questions, over and over.
What else could be true?
About 10 years ago, I had some significant health anxiety that you might call cyberchondria (it’s a thing). I had so much work-related and relationship stress that I started Googling “symptoms” like shaking hands and clumsiness. Before long, I was convinced I had MS.
That’s around the time I ran into this question: What else could be true? Well, it turned out a lot of things could. Things that were far more likely.
The more upsetting the narrative, the more useful this question becomes. I still slip into those bad stories, but at least I have a potential way out of the endless loop of story plus “evidence.”
What purpose does this story serve?
This can be a tough exercise. You basically keep asking why until you either a) remember how it started, or b) realize you no longer even know.
Here’s how I see it: A story you tell yourself in order to make sense of your world, especially a painful emotional experience, often just repackages the pain so you can’t see the experience objectively anymore. Let’s say you went to a restaurant that everybody recommended, and you have a terrible experience. Bad service, bad food, bad everything.
If you walk away from this experience believing it’s a bad restaurant, then you’ve told yourself a story. Same as something like, “I have bad luck with restaurants.”
You can only guess what was going on that night. Maybe the owner got rushed to the hospital, and everyone’s freaking out. Maybe their A team had the night off. Or maybe it was just a bad night. So, what else could be true? All sorts of stuff. What actually happened was that you had a bad experience at a restaurant. Full stop.
What purpose does it serve to think it’s a bad restaurant? So you can tell the people who recommended it? Prove them wrong? Tell them they’re crazy? Or is it so you won’t go down as the damned fool who gave a restaurant two chances?
In my case, most of my stories mainly served to cast myself or the people I care about in an unfavorable light. These days, I aim to keep stories on the page and make room for a little more truth, even when it hurts.